AN EAGER crowd got a real treat on Saturday morning at Mareel as Screenplay guest Nick Park brought his feature-length adventure Wallace and Gromit: The Curse of the Were-Rabbit to Screen 1, writes Ryan Nicolson.
SCREENPLAY curator Mark Kermode said on Friday that the Home Made sections were "always the highlight of the festival", and that proved to be the case once again later the same day, as a varied crowd sold out Mareel's Screen 1 to enjoy festival's annual signature showcase of the best short films made entirely by local amateur filmmakers.
The first screening, however, was actually Best In Show at the Skeld Hall the night before as the festival spread its wings outside of Lerwick.
Music fans were left clamouring for more after an incredible double-bill on Tuesday night, which saw Americana string quartet Laura Cortese and the Dance Cards take to the stage in Mareel's auditorium with acclaimed folk outfit Drever McCusker Woomble, writes Alex Garrick-Wright.
THROUGH the alchemical process of etching, Richard Rowland explores the dramatic tone and texture of landscape in his Recent Prints exhibition currently on view at Vaila Fine Art Gallery in Lerwick, writes Alex Purbrick.
An exhibition to launch the English edition of Shetland – a spectacular new book by the French photographer, ornithologist and author's work is currently on show in the foyer and staircase of the Islesburgh Community Centre in Lerwick. It runs until this Saturday (14 July).
Georges first came to Shetland in 1969. He was captivated by the scenery, the wildlife and the light in storms, fog and sunshine.
Locations is Angela's first exhibition in Shetland since moving here in 2008 when she came to work as a senior lecturer in Creative Industries at Shetland College UHI.
ROCK and roll might not save the world, but there is no harm in giving it a chance. With this philosophy behind their new album Love In Wartime, Americana band Birds of Chicago bring a sparkle of hope into the dark days of today's world, writes Zdenka Mlynarikova.
THE THIRD night of this year's Shetland Folk Festival brought an eclectic international mix of acts to the Clickimin stage. Featuring some of the festival's headline acts, the musicianship on show was outstanding, writes Zdenka Mlynarikova.
AN ARTISTIC masterpiece from the Tudor period arrived in Shetland this week giving islanders the unique opportunity to gaze upon a national treasure from one of the greatest portraitists of the 16th century, Hans Holbein the Younger.
THERE was a full house at Mareel on Saturday night as Shetland Folk Society celebrated another record-breaking year for their Young Fiddler of the Year competition with 175 entries from 100 young fiddlers, writes Christine Laurenson.
The acclaimed Englishman, perhaps best known for his captain role on Channel 4 quiz show 8 Out of 10 Cats, made magic out of the mundane at a packed Clickimin Leisure Centre as he brought his Old Man tour north to Lerwick.
The show's name was supposed to reflect that he had recently become a dad, but the evening instead touched more on his public persona of a man stuck in the wrong era, an ultimate worrier who prefers routine over revelry.
FOR the first time ever, Shetland got the unique opportunity to host a full-scale Scottish Ballet production when Matthew Bourne's Highland Fling visited the isles at the weekend, writes Zdenka Mlynarikova.
BORN in Denmark in 1941 and trained at the Royal Academy of Fine Art in Copenhagen, Peter Biehl first fell in love with Shetland 20 years ago and became a frequent visitor, finally settling in the isles since his retirement as a college art teacher in Denmark.
The landscape enchanted him as he found himself "drawn to the rugged coastline, the shift between the mildness and cruelness of its temperament, seduced by the light, the contrast, the unfolding drama between life and death".
I grew up in the university town of Cambridge, where amateur dramatics were ten a penny. In studying Romeo and Juliet at sixth form college, I managed to see at least three different versions of the play in the space of as many months. And trust me, the quality varies some.
So, when you decide to see any amateur dramatic performance, I'm more aware than anyone that you have to take the view that you might just get what you pay for.
NEIL Georgeson provided a jaw-dropping display of musical prowess at Mareel in Lerwick on Thursday night with a concert that left the audience stunned and the ivories smoking, writes Alex Garrick-Wright.
MAREEL this week welcomed a brand new play written for the National Theatre Connections project - The Free9 by In-Sook Chappell - writes Zoe Spence. Directed by John Haswell and Izzy Swanson, the play opened in Shetland on Tuesday (20 March), with a second performance on Wednesday (21 March) followed by a performance at Eden Court in Inverness on Tuesday 10 April.
The play follows eight teenagers from North Korea who escape and endeavour on a long journey through China and Laos with the help of “Big Brother” to try and seek refuge in South Korea. A harrowing story leaving the audience in stunned silence throughout.
IT'S MURDER and it’s personal - it must be Shetland, writes Jordan Ogg. As the final episode spooled into view, you could have forgiven DI Perez for thinking he had it all figured out. But it was never going to be that easy.
After all, there was a full 60 minutes to get through and his theory was rather troublesome, not to mention complicated, as it rested on dodgy Duncan, his daughter’s natural father, having strangled Lizzie Kilmuir with a scarf all those years ago, and maybe more recently Sally McColl too.
YOUNG Highlands band Tidelines kicked off an extensive Scottish tour at Mareel last night, and demonstrated to a 200-strong crowd why they are fast garnering a reputation on the trad scene for their upbeat folk songs.
“SO YOU like your murder ballads, then” smiled Lucy Farrell in response to the warm applause greeting the conclusion of The Furrow Collective’s opening song, Willie’s Fatal Visit, at Mareel on Saturday night.
It is a grisly lyrical tale, granted, but Farrell’s crystal clear vocal imbues the song – discovered from Ray Fisher’s reading of the song back in 1991, accompanied by Martin Carthy – with elegiac beauty and grace.