Locations is Angela's first exhibition in Shetland since moving here in 2008 when she came to work as a senior lecturer in Creative Industries at Shetland College UHI.
ROCK and roll might not save the world, but there is no harm in giving it a chance. With this philosophy behind their new album Love In Wartime, Americana band Birds of Chicago bring a sparkle of hope into the dark days of today's world, writes Zdenka Mlynarikova.
THE THIRD night of this year's Shetland Folk Festival brought an eclectic international mix of acts to the Clickimin stage. Featuring some of the festival's headline acts, the musicianship on show was outstanding, writes Zdenka Mlynarikova.
AN ARTISTIC masterpiece from the Tudor period arrived in Shetland this week giving islanders the unique opportunity to gaze upon a national treasure from one of the greatest portraitists of the 16th century, Hans Holbein the Younger.
THERE was a full house at Mareel on Saturday night as Shetland Folk Society celebrated another record-breaking year for their Young Fiddler of the Year competition with 175 entries from 100 young fiddlers, writes Christine Laurenson.
The acclaimed Englishman, perhaps best known for his captain role on Channel 4 quiz show 8 Out of 10 Cats, made magic out of the mundane at a packed Clickimin Leisure Centre as he brought his Old Man tour north to Lerwick.
The show's name was supposed to reflect that he had recently become a dad, but the evening instead touched more on his public persona of a man stuck in the wrong era, an ultimate worrier who prefers routine over revelry.
FOR the first time ever, Shetland got the unique opportunity to host a full-scale Scottish Ballet production when Matthew Bourne's Highland Fling visited the isles at the weekend, writes Zdenka Mlynarikova.
BORN in Denmark in 1941 and trained at the Royal Academy of Fine Art in Copenhagen, Peter Biehl first fell in love with Shetland 20 years ago and became a frequent visitor, finally settling in the isles since his retirement as a college art teacher in Denmark.
The landscape enchanted him as he found himself "drawn to the rugged coastline, the shift between the mildness and cruelness of its temperament, seduced by the light, the contrast, the unfolding drama between life and death".
I grew up in the university town of Cambridge, where amateur dramatics were ten a penny. In studying Romeo and Juliet at sixth form college, I managed to see at least three different versions of the play in the space of as many months. And trust me, the quality varies some.
So, when you decide to see any amateur dramatic performance, I'm more aware than anyone that you have to take the view that you might just get what you pay for.
NEIL Georgeson provided a jaw-dropping display of musical prowess at Mareel in Lerwick on Thursday night with a concert that left the audience stunned and the ivories smoking, writes Alex Garrick-Wright.
MAREEL this week welcomed a brand new play written for the National Theatre Connections project - The Free9 by In-Sook Chappell - writes Zoe Spence. Directed by John Haswell and Izzy Swanson, the play opened in Shetland on Tuesday (20 March), with a second performance on Wednesday (21 March) followed by a performance at Eden Court in Inverness on Tuesday 10 April.
The play follows eight teenagers from North Korea who escape and endeavour on a long journey through China and Laos with the help of “Big Brother” to try and seek refuge in South Korea. A harrowing story leaving the audience in stunned silence throughout.
IT'S MURDER and it’s personal - it must be Shetland, writes Jordan Ogg. As the final episode spooled into view, you could have forgiven DI Perez for thinking he had it all figured out. But it was never going to be that easy.
After all, there was a full 60 minutes to get through and his theory was rather troublesome, not to mention complicated, as it rested on dodgy Duncan, his daughter’s natural father, having strangled Lizzie Kilmuir with a scarf all those years ago, and maybe more recently Sally McColl too.
YOUNG Highlands band Tidelines kicked off an extensive Scottish tour at Mareel last night, and demonstrated to a 200-strong crowd why they are fast garnering a reputation on the trad scene for their upbeat folk songs.
“SO YOU like your murder ballads, then” smiled Lucy Farrell in response to the warm applause greeting the conclusion of The Furrow Collective’s opening song, Willie’s Fatal Visit, at Mareel on Saturday night.
It is a grisly lyrical tale, granted, but Farrell’s crystal clear vocal imbues the song – discovered from Ray Fisher’s reading of the song back in 1991, accompanied by Martin Carthy – with elegiac beauty and grace.
"There's a murderer running loose and there's been another murder. I dinnae think he's the killer, but I'm still going to have to spend six episodes trying to prove it", shouts DI Jimmy Perez as he climbs the Lodberry steps to face his next investigation.
IT'S not very often you get to watch a pantomime which playfully juggles topics like cannibalism and veganism, but then again, local improvised comedy collective The Imposters don't always do things the usual way.
Sure, the panto at the Lerwick Legion on Friday night had all the classic characters - the hero, the dame, the villain and more - but its story and narrative was effectively made up on the spot following a one-word suggestion thrown over from the audience.
"IS THIS the real life, is it just fantasy?" sang the Freddie Mercury impersonator on stage at Mareel on Friday night.
It's been some time since I was last at a panto, and I had forgotten the sheer delight and excitement that comes from an untypically young theatre audience once the music starts.
"There are more seals in Shetland than supermarkets" announces the narrator in the opening episode of Island Medics. Few viewers should be surprised by this fact. Any that are ought to be in the sea themselves, writes Jordan Ogg.
Yes, the narrator is annoying, but viewers can feel reassured that, despite some daft opening lines and a fairly bonkers map, the first instalment offers a pleasingly cheery and cheesy start to this BBC One 10-part series. It's a formula that should serve well, given the early morning slot.
ARTS and crafts abound in shops and galleries at this time of year, unsurprisingly. At the Shetland Museum and Archives exhibition space, Da Gadderie, John Hunter has managed to curate a diverse range of products – paintings, drawings, pottery, and basketry among them.
Local comedian Marjolein opened the show, wandering on stage with a red tin in hand. Having only started working on stand-up comedy a few years ago, Marjolein has pursued the art with aplomb, having two shows at the Edinburgh Fringe and a number of appearances at New Zealand comedy festivals under her belt already, and further festival bookings lined up for 2018.
I MUST confess I felt at a loss for words after this concert. I don't think I have ever been quite so 'blown away' by a string quartet on stage, writes James Mackenzie following Wednesday night's performance of the Edinburgh Quartet at Mareel.
Actually there were almost two concerts, as the quartet – or rather some of the programme's music - was introduced half an hour earlier by Nigel Hayward, complete with piano-grande to illustrate his insights into the string quartets of Joseph Haydn and Leoš Janàček that were going to be played.
Jessica’s Swale’s debut play Blue Stockings, first performed at The Globe in 2013, deals with the injustices women faced in endeavouring to educate themselves to the same standards as their male counterparts.